强输出，就导致编排显得特别刻意，no one is innocent even the boy who brought you back to life. 用迎合男性的方式去入侵再反杀的人设确实很适合穆里根（赞美那完美的后脑勺！），粉色乖乖女反差的部分可以再creepy一点。就很有意思今天一前一后看了两部讲女性死亡的电影。
飞鸟与林:123.232.196.219
虽然到最后也没分辨清楚每一只有过台词的兔子的花色……唯余Woundwort悲壮的惊鸿一跃。配音有惊喜I mean Kehaar??? wow 吸了Bigwig*Strawberry的cp但是更喜欢Bigwig*Kehaar...是想怎样啦！⁄(⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄
As much a film about accepting grief as accepting death—of being perpetually, profoundly melancholic in a beautiful world. Koreeda's long shots not only provide an aesthetic answer to the film's philosophical premise but also establish a respectful distance from Esumi's protagonist: it's formalist cinema of a humble and deeply compassionate nature.
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